Three Saw Blades
Three Saw Blades
Three Saw Blades
Three Saw Blades

Three Saw Blades

Nicola Rawnsley

£260

Medium
Cyanotype and rust
Dimensions
40 W x 30 H cm
Delivery
From £6.00 More info
Year
2026

Description

The work presents a cyanotype of a technical drawing of saw blades, disrupted by the physical process of rusting, allowing oxidation to transfer onto the paper. Watercolour, ink and enamel were then layered into the image. The work explores our desire to control and impose order on the impermanence of life. Rust becomes a metaphor for nature reclaiming the industrial object, indifferent to human design, ownership and use.

Details

Medium

Cyanotype and rust

Dimensions

40 W x 30 H cm

Delivery

Delivery available to these regions:

Region
Price

UK Mainland

£6.00

Scottish Highlands and Islands

£6.00

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  • Estimated delivery times: 10 business days.
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Legals

Terms of Sale

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Disclaimers

  • Colours may vary slightly between on-screen images and real artworks due to monitor settings and lighting.
  • Every original piece is handmade; small variations and imperfections are part of its character.
  • Frames shown in images are for display purposes unless otherwise specified.

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About the artist

Nicola Rawnsley

West Yorkshire, United Kingdom

Born in 1970 and raised on a council estate in Bradford. I became the first in my family to attend university. A solo exhibition in London in 1998 marked an early high point in my practice, before family took precedence. I returned to art through an MA in Creative Practice, graduating in 2023.

My practice explores the human condition and our persistent desire to own, control and impose order on a world defined by change. I work with industrial artefacts, discarded tools, technical drawings, rust and other materials that carry the traces of human intervention. Through processes of making, forcing, marking and decay, I bring systems of precision and control into confrontation with natural cycles that cannot be subjugated. 

Rust is central to this thinking. It becomes both material and metaphor: a slow, persistent process through which steel returns to the earth, quietly undoing the intentions and ownership once invested in it. Industrial objects may be designed, forged, used and discarded, but oxidation outlasts each stage of their human purpose.

My work sits in this tension between permanence and change, human intention and natural process. It asks what remains when the structures we create to control the world inevitably begin to disappear and nature continues, indifferent to human actions.